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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=08d57436408584358e14000f5ec62155" title="The ensemble’s program of works by Haydn and Mozart on Wednesday at the New York Society for Ethical Culture was informed, earnest and lively.   ..." target="_blank">Music Review | American Classical Orchestra: An Intimate Concert, With Original Instruments</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=fc980d59263217390107c18c75d8c6c3" title="Sheldon Harnick was the only performer able to capture intact the lighthearted glee of Mercer’s comic imagination in the tribute at the 92nd St. Y on Wednesday.   ..." target="_blank">Music Review | Lyrics & Lyricists: A Bit of Jive Stands Out at a Tribute to Mercer</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=4a9283ae67e66b2c54a096ca7e9ec1f8" title="The soprano Aprile Millo made her New York recital debut with an eclectic program of works by Donaudy, Wolf-Ferrari and Rachmaninoff at the Rose Theater on Tuesday.   ..." target="_blank">Music Review | Aprile Millo: Strauss, Neapolitan Tunes and a Festive Singalong</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=5139ac69c98d359eca2d06715c7ae3f5" title="The very slightest hint of a thaw in cultural relations between the United States and Cuba has quietly brought the Cuban band Septeto Nacional to New York.   ..." target="_blank">Opening Arms and Ears to Cuban Music</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=10f20087561e0542831928c9dd6b6d9b" title="The audacity of Ralph Shapey’s music came through vividly with the Shapey program’s first chamber work, performed by the New York Woodwind Quintet.   ..." target="_blank">Music Review | New York Woodwind Quintet: Exulting in the Orneriness of a Composer’s Composer</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=703911cd20b8c3ddc29cfda0c991b4dc" title="Jesus Lizard’s show on Tuesday at the Fillmore New York at Irving Plaza was extravagantly good.   ..." target="_blank">Music Review | Jesus Lizard: Post-Punk Returnees, Definitely Not Unplugged</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=ec40670a95f01edf1536cb9ab8f3ef16" title="In a concert called “Bach and the Bohemian Gypsies” at the Miller Theater on Saturday, the excellent Ensemble Caprice offered selections from the Uhrovska Collection of 1730.   ..." target="_blank">Music Review | Ensemble Caprice: Finding Bohemian Influences in Baroque</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://feeds.nytimes.com/click.phdo?i=17797a73114e93725cef025b60e7524e" title="The London company In the Wings has developed a 30-minute “prequel” to Prokofiev’s “Peter and the Wolf,” with new music by Philip Feeney.   ..." target="_blank">Music Review | In the Wings: Twice as Many Antics for the Duck, the Cat and the Wolf</a><br />');
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